Elia Cecino: Brahms

Klavierstücke Op.119 IV. Rhapsodie in E-flat

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The young Italian pianist Elia Cecino does not merely confront the pianistic and expressive challenges of these works; he assumes the role of a narrator, shaping, through the poetry of sound, a tale of fullness and nostalgia, of youth and age, of promises and memories dissolving into the ether. The Sonata No. 1, written in the ardor of youth, still resounds with echoes of Beethoven—it opens with a direct citation from the Hammerklavier—revealing a Brahms who raises his voice with impassioned fervor, boldly claiming the great classical legacy with the audacity of one who knows he has something to say. At the heart of the program, the Variations on a Theme by Schumann dwell in a space of reverence and sorrow, where a more mature Brahms converses with his friend and mentor in a gesture of tribute and love, of confidences and affinities, of encounters and brotherhood. Finally, the Pieces, Op. 119 transport us to a realm where the urgency of performance and virtuosity has given way to the most intimate contemplation, a kind of personal, confessional journal, in which every note is almost a whisper, a thought suspended in time.

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About Repertoire

Brahms: A Journey Through Life and Memory

Josu de Solaun

The album you hold in your hands charts a journey that is, in more than one sense, the cartography of a life. Not only does it span both the first and one of the last piano works of Johannes Brahms, but beneath its design lies a deeper meditation on the nature of time—tempus fugit—memory, and the destiny of the artist. The Sonata No. 1 in C major, Op. 1, the Variations on a Theme by Robert Schumann in F sharp minor, Op. 9, and the Pieces, Op. 119 are stations along a path that retraces Brahms’s own biography and invites us to contemplate existence itself as a succession of beginnings and crises, of longing and farewell.

The young Italian pianist Elia Cecino does not merely confront the pianistic and expressive challenges of these works; he assumes the role of a narrator, shaping, through the poetry of sound, a tale of fullness and nostalgia, of youth and age, of promises and memories dissolving into the ether. The Sonata No. 1, written in the ardor of youth, still resounds with echoes of Beethoven—it opens with a direct citation from the Hammerklavier—revealing a Brahms who raises his voice with impassioned fervor, boldly claiming the great classical legacy with the audacity of one who knows he has something to say. At the heart of the program, the Variations on a Theme by Schumann dwell in a space of reverence and sorrow, where a more mature Brahms converses with his friend and mentor in a gesture of tribute and love, of confidences and affinities, of encounters and brotherhood. Finally, the Pieces, Op. 119 transport us to a realm where the urgency of performance and virtuosity has given way to the most intimate contemplation, a kind of personal, confessional journal, in which every note is almost a whisper, a thought suspended in time.

Through these three great works, Elia traces the arc of a life and, in doing so, invites us to share in the experience of an entire existence in each listening—to traverse, in little more than an hour, the distance that separates youth from twilight, certainty from doubt, fullness from farewell.

Elia Cecino

Elia Cecino is the first Italian to win the València Iturbi International Piano Competition, in which the jury chaired by Joaquín Achúcarro also awarded him special prizes for the best performance of a Concerto by Beethoven and for the best interpretation of the music by Chopin.

He is first prize winner at the New Orleans, James Mottram and Ricard Viñes piano competitions and a laureate at the XVII Arthur Rubinstein Piano Master Competition in Tel Aviv.

Since 2014 Elia regularly performs in halls such as the Palau de la Música Catalana in Barcelona, Laeiszhalle in Hamburg, Ehrbar Saal in Wien, Merkin Hall in New York, or Teatro La Fenice in Venice. He performed with the Royal Liverpool Philharmonic, La Fenice Orchestra, Simfònica del Vallès, Sinfónica de Galicia, Sichuan Philarmonic, Israel Philharmonic, FVG Orchestra, and Sinfonica di Milano.

Some of his recitals and interviews have been broadcast on ClassicFM, ClassicalFM New Orleans, Radio Catalunya, or Rai 1. He played in recital at the Cappella Paolina del Quirinale in Rome, broadcast live on Rai Radio 3.

In 2020 the label Suonare Records released his debut CD dedicated to Beethoven, Chopin and Skrjabin and in 2021 a monographic Chopin album has been published by OnClassical.

Elia has also an intense chamber music activity from duo to piano quintet, with whom he performs in halls such as the Sale Apollinee of Teatro La Fenice in Venice and Teatro Comunale di Monfalcone. In December 2020 he collaborated with cellist Mario Brunello on the occasion of 250th anniversary of Beethoven’s birth.

Born in Italy in 2001, Elia began his studies at 9 with Maddalena de Facci and at 17 graduated Summa cum Laude from Cesena Conservatory.

The following year Elia won the 36th Premio Venezia, competition reserved for the best graduates of the Italian Conservatories. Later he studied with Andrzej Jasinski, Eliso Virsaladze and Boris Berman.

València Iturbi

València Iturbi International Piano Competition

The Valencia Iturbi International Piano Competition, organised by the Diputación de Valencia (Provincial Council of Valencia), was created in June 1981 to honour the memory and legacy of the Valencian pianist José Iturbi, who passed away on June 28, 1980, in Beverly Hills, California. This competition serves as a platform to support emerging talents in the competitive world of piano, much as Maestro Iturbi did in his early career.

Held biennially, the competition held its 22nd edition in 2023, with pianist Elia Cecino winning the First prize. One of the most significant rewards for the top-ranked pianist is the recording of an album—an exceptional opportunity for recognition and a gateway to a professional career.

The Iturbi Competition also benefits from the esteemed collaboration of the Orchestra of Valencia in its final stage. Based at the Palau de la Música de València, this orchestra is among Spain’s most distinguished symphonic ensembles, enjoying significant international acclaim.

Over its more than 40-year history, the competition’s jury has included celebrated pianists and renowned figures such as Alicia de Larrocha, Alexis Weissenberg, Jenő Jandó, John O’Connor, Pascal Rogé, Andrea Lucchesini, Henry Barda, Rosa Sabater, Maria Tipo, Sulamita Aronovsky, Dimitri Bashkirov, Joaquín Soriano, Joaquín Rodrigo, Joaquín Nin-Culmell, Eduardo López-Chavarri, Menahem Pressler, and Joaquín Achúcarro, among others.

The València Iturbi International Piano Competition is a member of the World Federation of International Music Competitions, based in Geneva, which brings together the world’s most prestigious music competitions. It is also affiliated with the Alink-Argerich Foundation, a key reference point for the most distinguished international piano competitions.

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